Thursday, October 20, 2016

Lollapalooza's awesome music festival posters

Picture: Youtube
Lollapalooza began in 1991 as a farewell tour for Perry Ferrell's band Jane's Addiction. It went through a bit of a rocky time in the late 1990s - early 2000's, but in 2005 it was officially revived as an annual three-day festival in Grant Park in Chicago. Ever since then it's been on the rise, AND it has a pretty great art scene going on. Personally, I really enjoy looking at the posters they design each year for the festival. So I started wondering, who designs these posters? And how do they go about this process?

The 2016 Lollapalooza Poster
Designer: Frank Kozik


Picture: Lollapalooza
2016 Lollapalooza poster

Once upon a time, when both this artist and Lollapalooza were young and unknown, Kozik designed their poster for the 1995 tour. At that time, Kozik was a designer for alternative band and had been a working artist since the 1980's. He got his start when he became involved in the underground punk rock scene of Austin, Texas and got noticed when he hung black-and-white posters that he created for his friends' bands on telephone poles. He worked with many of the bands that ended up touring Lollapalooza -- Red Hot Chili Peppers, Sonic Youth, etc. -- when they were small, local bands. He kept in touch with them when they got bigger, and eventually he was making large silkscreen concert posters for Pearl Jam, Green Day, Neil Young, and Nirvana, among many others.


Picture: Never Mind Gallery
Kozik's 1995 poster for the band The Verve

When Lollapalooza approached Kozik to do the 2016 25th anniversary poster, he decided he wanted to go with something like the "classic early 90's style" -- to him, "Lollapalooza was always very carnival-esque. Especially the first ones. It was very much like, we're gonna take this hedonistic thing on the road," he said in an interview with Lollapalooza. He wanted it to recall the colorful cartoon style of the posters of the early 90's.

Picture: Lollapalooza
1995 Kozik Lollapalooza poster


The Strongman Poster
Designers: Billy Baumann and Jason Teegarden-Downs


Picture: Lollapalooza 
Billy Baumann of Delicious Design League, the firm that designed this 2012 poster, said, "it was probably all inspired by the idea of Chicago being the city of big shoulders." He also noticed that one of Lollapalooza's older posters had a sort of circus theme going on, and he wanted this poster to "be recognizable to a Lollapalooza crowd" and have classic Chicago features in the design. The dancing hot dogs in the bottom corners are a tribute to the hot dog being something everybody in Chicago loves. They also fit into the vaudeville-era style with the strongman because they're dressed up like little song-and-dance men, which is really very cute.

Picture: Lollapalooza
Baumann said the biggest challenge with the creation of this poster was fitting the entire band lineup in the design. It ended up in the nearly-perfect circular shape of the strongman. As Baumann told Chicago Magazine, "It's not really a deep poster. It's just a fun image with an incredibly rotund weightlifter from the turn of the century."


The 2011 Poster
Designer: Hebru Brantley


PIcture: Lollapalooza

Hebru Brantley is from Chicago, so it makes sense that he would be asked to design Lollapalooza's 20th anniversary poster. He grew up in Chicago during the 1980's, and, according to his website, his "work touches on tough subjects in a way that may be easily digestible to the viewer." His poster for Lollapalooza was created with acrylic and spray paint (his signature graffiti style) on a 48" x 48" wood panel. The character is Flyboy, based upon the Tuskegee Airmen, calmly hovering above the chaotic sketches underneath him.

Check out the portfolio on Brantley's website! His art is quite engaging and thought-provoking.

Picture: Hebru Brantley
"A Dedication (Spielbergian)


Aw, so many great posters.


Lollapalooza

Lollapalooza






Monday, October 17, 2016

Meanings behind Kanye West's album covers

Picture: Refinery29

To be honest with you, this is a topic I never saw myself writing about. I'm not exactly a Kanye-West-worshipper. My original idea was to write about album covers in general -- actually, it was to write about album covers that, in my opinion, were...less than visually appealing. I had in mind Kanye's most recent album, The Life of Pablo. But once I began researching The Life of Pablo, I found there are actually some interesting stories and meanings behind Kanye's album art. 


I was surprised to learn that Kanye had been an art school student before his rap career took off. So Kanye puts consideration into how his albums are going to look. This was enough to get me to keep looking into what thought, exactly, Kanye and his designers put into his album art.

Picture: Digital Spy
When I first looked at The Life of Pablo album cover, I thought, what’s up with this? It’s not very visually appealing, and it reminded me of the product of somebody who threw together a collage on Microsoft Word circa 1998. So I thought looking deeper into how, exactly, this album cover came to be would be pretty interesting and maybe enlightening. 

The cover was designed by Peter De Potter, a Belgian artist who often creates artwork that he posts on Tumblr. Looking through a few of his images, the album art for Life of Pablo seems to fit into his style -- which is pretty cool. Interestingly, it's similar to the album artwork for Madonna's Nothing Fails

Picture: Digital Spy

There’s even a website dedicated to allowing people to alter the Life of Pablo album art to add their own picture.

Kanye does add unique details into the design of his album covers. College Dropout features a gold border that actually is taken from a 16th century book of illustrations. According to Eric Duvauchelle, the designer of College Dropout’s album cover, Kanye has an admiration for art, and he wanted to “drastically depart from the typical image of rap at the time – to bring a sense of elegance and style to what was typically a gangster-led image of rap artists.”


The Dropout Bear makes his first appearance on this album cover. It's Kanye West sitting on the bleachers in a bear mascot costume, looking pretty discouraged and lonely. Duvauchelle found it interesting that though the mascot is the most popular representation of the school, here is an image of the mascot sitting all alone and isolated.

Picture: DJ Booth

Kanye was a student at the American Academy of Art, where he had received a scholarship to study visual art, before he became a big-time rapper. He became the college dropout (as the album is named) when he decided he’d “never be one of the great visual artists of the world.” He didn’t want to end up in a job in advertising. Then his rap career took off, and so here we find ourselves.

The theme of the Dropout Bear continues in Kanye's sophomore album, Late Registration

Picture: Complex
The photograph (Sarah A. Friedman) on this album cover was taken in Princeton University -- inside the album booklet there are more photos of the Dropout Bear around different areas of the campus. It's interesting to note that the Dropout Bear has shrunk -- he almost looks like a teddy bear. According to Complex, this is to represent that "the rejuvenation of the [rap] genre would be a huge responsibility."


Generally, Kanye uses his album cover design to set himself apart from other rappers, and he likes to add style and influences from his art-student background into the artwork.

Picture: MTV
Graduation features art by Japanese artist Takashi Murakami -- once Kanye had visited Murakami's studio in 2006 he decided the "Japanese Andy Warhol" was awesome and wanted to collaborate with him. Murakami said that the design took weeks because working with Kanye was difficult -- his ideas were always changing. The cover continues on with the scholarly theme, and as Murakami said, "It's a place of dreams, of righteousness, a place to have fun. It's also occasionally a place where you experience the rigid dogma of the human race." This relates to Kanye's music, as Murakami goes on to say, "Kanye's music scrapes sentimentality and aggressiveness together like sandpaper." The cover art was designed to represent this mix of ideas related to school and life and connect it all together to Kanye's music.


From then on, Dropout Bear disappears from the album covers, which I think is kind of sad. So I'm going to skip ahead to the design of Kanye's sixth album, Yeezus, which is pretty much as minimalistic as you can get.

Picture: Complex

Kanye liked the idea of the simplicity of the design representing the minimalism of the music on the album. He also said he wanted the music to be what people focused on. Personally, I really appreciate the choice of adding red tape to be the sole decoration to the album.

Yeezus, like The Life of Pablo, offers ways for people to get involved in the design. On yeezygraffiti.com, Kanye fans add their own concepts of Yeezus art. The image of the album with the caption "Please add graffiti" was also spotted on the streets of New York City, encouraging people to add their own drawings to the album signs.


So it turns out quite a bit of thought goes on behind the designs of Kanye's albums, and several different artists and styles are represented. It's interesting to watch how Kanye uses album art as a way to set himself apart from other rap artists and create trends. I have to say, researching Kanye's album covers was a much more enlightening experience than I thought it would turn out to be.